The woman has no name? Female characters in Turkish cinema through the eyes of female directors

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dc.authoridAybike Serttaş / 0000-0003-3471-7264en_US
dc.authoridYaren Kalkan / 0000-0001-9075-7119en_US
dc.authorscopusidAybike Serttaş / 58155262400en_US
dc.authorwosidAybike Serttaş / AAD-4406-2019en_US
dc.contributor.authorSerttaş, Aybike
dc.contributor.authorKalkan, Yaren
dc.date.accessioned2023-08-02T12:44:21Z
dc.date.available2023-08-02T12:44:21Z
dc.date.issued2022en_US
dc.departmentİstinye Üniversitesi, İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractIt can be observed that there was a quantitative increase in the films of female directors in Turkey in 2000s and these directors started to create their own cinematic language. These directors produce films by being influenced by the patriarchal society they live in and deal with the problems women experience in that society. In this study, it will be discussed how female directors who continue their lives in a patriarchal society reflect female characters in their films. The reason for including the year 2010 and later in the study is that the female di rectors in the study both dealt with the problems related to women in their films. At the same time, there are similarities in the problems of the female characters in the films of these di rectors too. In the research, women’s problems, and the places of characters in private and public spaces are examined in the context of feminist theory and four films of four female directors in Turkey were discussed. These films(1) are Yeşim Ustaoğlu’s Purgatory (2012), Pelin Esmer’s Watchtower (2012), Emine Emel Balcı’s Until I Lose My Breath (2015) and Ahu Öztürk›s Dust Cloth (2015). As a result, it has been determined that female directors in Turkey go beyond the classical narrative cinema and deal with the main problems of women.en_US
dc.identifier.citationSerttas, A., & Kalkan, Y. (2022). The Woman Has No Name? Female characters in Turkish cinema through the eyes of female directors. Communication Papers. Media Literacy and Gender Studies., 11(22), 61-81.en_US
dc.identifier.doi10.33115/udg_bib/cp.v11i22.22789en_US
dc.identifier.endpage81en_US
dc.identifier.issn2014-6752en_US
dc.identifier.issue22en_US
dc.identifier.startpage61en_US
dc.identifier.urihttps://doi.org/10.33115/udg_bib/cp.v11i22.22789
dc.identifier.urihttps://hdl.handle.net/20.500.12713/3946
dc.identifier.volume11en_US
dc.institutionauthorSerttaş, Aybike
dc.institutionauthorKalkan, Yaren
dc.language.isoenen_US
dc.publisherRevista Publishingen_US
dc.relation.ispartofCommunication Papers – Media Literacy & Gender Studiesen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectGenderen_US
dc.subjectWomen’s Issuesen_US
dc.subjectFeminist Theoryen_US
dc.subjectWomen Directors in Turkeyen_US
dc.titleThe woman has no name? Female characters in Turkish cinema through the eyes of female directorsen_US
dc.typeArticleen_US

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