The free individual in a tale of democracy: hegemony and dystopia in visual narratives

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dc.authoridHasan Gürkan / 0000-0002-3805-9951en_US
dc.authorscopusidHasan Gürkan / 56723909100en_US
dc.authorwosidHasan Gürkan / O-4885-2018en_US
dc.contributor.authorGürkan, Hasan
dc.contributor.authorErgene, İlkim
dc.date.accessioned2023-01-19T08:02:07Z
dc.date.available2023-01-19T08:02:07Z
dc.date.issued2022en_US
dc.departmentİstinye Üniversitesi, İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractThis study examines the power relations of the characters in dystopian-themed visual culture narratives. The study is based on the reasons that lead to the construction of the concept of hegemony, how a hegemonic system is processed in the dystopian narrative, and the effect of this system on the social norms among the characters. This study examines both how social norms enable the functioning of the hegemonic system and how the characters are separated among themselves according to age, gender, power, and race differences. The study examines the young-adolescent TV series The Society (2019) in connection with the concept of hegemony. The main goal of this essay is to theoretically contextualize and systematically analyze a contemporary TV series through a combination of political science, speculative fiction, and film studies to explore the concept of hegemony. The hegemony in the narrative is based on the existence of the sovereign power and is built through all the oppression and ideological devices held by this power. © The Author(s) 2022.en_US
dc.identifier.citationGürkan, H., & Ergene, İ. (2022). The Free Individual in a Tale of Democracy: Hegemony and Dystopia in Visual Narratives.en_US
dc.identifier.doi10.17646/KOME.75672.90en_US
dc.identifier.endpage36en_US
dc.identifier.issn2063-7330en_US
dc.identifier.issue2en_US
dc.identifier.scopus2-s2.0-85145675171en_US
dc.identifier.scopusqualityQ2en_US
dc.identifier.startpage25en_US
dc.identifier.urihttp://doi.org/10.17646/KOME.75672.90
dc.identifier.urihttps://hdl.handle.net/20.500.12713/3818
dc.identifier.volume10en_US
dc.identifier.wosWOS:000926696000002en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.institutionauthorGürkan, Hasan
dc.language.isoenen_US
dc.publisherHungarian Communication Studies Associationen_US
dc.relation.ispartofkomeen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectDystopiaen_US
dc.subjectHegemonyen_US
dc.subjectScience Fictionen_US
dc.subjectThe Societyen_US
dc.subjectVisual Mediaen_US
dc.titleThe free individual in a tale of democracy: hegemony and dystopia in visual narrativesen_US
dc.typeArticleen_US

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