Women’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s films

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dc.authoridHasan Gürkan / 0000-0002-3805-9951en_US
dc.authorscopusidHasan Gürkan / 56723909100en_US
dc.authorwosidHasan Gürkan / O-4885-2018
dc.date.accessioned2022-04-06T05:40:28Z
dc.date.available2022-04-06T05:40:28Z
dc.date.issued2022en_US
dc.departmentİstinye Üniversitesi, İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractThis study discusses the current Turkish women’s cinema through the films, Mavi Dalga (2013, Blue Wave) and İşe Yarar Bir Şey (2017, Something Useful) by exploring the definitions of women’s cinema. This article aims to examine the point of women’s films in contemporary Turkish cinema by referring to the previous discussions on women’s cinema and addressing the portrayal of women in films that fall under women’s films. The films Mavi Dalga and İşe Yarar Bir Şey, depict women as the saviour and as active, self-sufficient, economically independent, not dependent on men, and following their wishes instead of becoming passive, harmonious, and stuck in the narrow patterns of life in this world, although they want to get rid of the practices of the male world. These films define the woman as a vital, independent, helpful subject in solidarity with her fellows discussed by Smelik’s definition of women’s cinema. The films comply with Johnston’s claims that women are included in the narrative of women’s films by the audience. Moreover, these films identify with the main character, and they stand at an essential point in Turkish cinema with their independent and powerful depiction of women. © 2022 Informa UK Limited, trading as Taylor & Francis Group.en_US
dc.identifier.citationGürkan, H., & Biga, N. T. (2022). Women’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s films. Feminist Media Studies, 1-16.en_US
dc.identifier.doi10.1080/14680777.2022.2055106en_US
dc.identifier.issn1468-0777en_US
dc.identifier.scopus2-s2.0-85126762970en_US
dc.identifier.scopusqualityQ1en_US
dc.identifier.urihttps://doi.org/10.1080/14680777.2022.2055106
dc.identifier.urihttps://hdl.handle.net/20.500.12713/2608
dc.identifier.wosWOS:000771267900001en_US
dc.identifier.wosqualityQ2en_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.institutionauthorGürkan, Hasan
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.relation.ispartofFeminist Media Studiesen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectIşe Yarar Bir Şeyen_US
dc.subjectMavi Dalgaen_US
dc.subjectTurkish Women’s Cinemaen_US
dc.subjectWomanen_US
dc.subjectWomen’s Cinemaen_US
dc.titleWomen’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s filmsen_US
dc.typeArticleen_US

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