Gendering Turkish action films in the post-2010 period: "hey boy, protect me and don't cry!"

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dc.authoridHasan Gürkan / 0000-0002-3805-9951en_US
dc.authorscopusidHasan Gürkan / 56723909100
dc.authorwosidHasan Gürkan / O-4885-2018
dc.contributor.authorGürkan, Hasan
dc.contributor.authorEge, Övünç
dc.date.accessioned2021-03-29T13:56:04Z
dc.date.available2021-03-29T13:56:04Z
dc.date.issued2021en_US
dc.departmentİstinye Üniversitesi, İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractThis study investigates how the post-2010 Turkish action films portray men. Popular cinema positions all other sexual identities as secondary and often Other than (hegemonic) masculinity. In this context, this study examines masculinity in the centre of the narrative in the Turkish action films. The sample of the study consists of three action films with high production and box office hit in Turkey from 2010 to the present day, Kaos: Orumcek Agi (Chaos: Spider Web, 2012), cakal (The Jackal, 2010) and Panzehir (Antidote, 2014). Thus, the relationship between masculinity representations in Turkish mainstream action films and reality is discussed. In this study, the male characters can be categorized either fearless to sacrifice themselves for their family and nationality or negative subject men who never have characteristics that are not approved by the society. While there are almost no women in the narratives of these films, it can be classified that Turkish action films, as films that completely reflect the men's world and become womanless.en_US
dc.identifier.citationGürkan, H., & Ege, Ö. (2021). Gendering Turkish Action Films in the Post-2010 Period:“Hey boy, protect me and don’t cry!”. Studies in European Cinema, 1-16.en_US
dc.identifier.doi10.1080/17411548.2021.1903296en_US
dc.identifier.issn1741-1548en_US
dc.identifier.issn2040-0594en_US
dc.identifier.scopus2-s2.0-85102936334en_US
dc.identifier.scopusqualityQ1en_US
dc.identifier.urihttps://doi.org/10.1080/17411548.2021.1903296
dc.identifier.urihttps://hdl.handle.net/20.500.12713/1639
dc.identifier.wosWOS:000630696400001en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.institutionauthorGürkan, Hasan
dc.language.isoenen_US
dc.publisherROUTLEDGE JOURNALSen_US
dc.relation.ispartofSTUDIES IN EUROPEAN CINEMAen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectMasculinityen_US
dc.subjectTurkish Action Filmsen_US
dc.subjectRational and Strongen_US
dc.subjectCompetitive and Protectiveen_US
dc.titleGendering Turkish action films in the post-2010 period: "hey boy, protect me and don't cry!"en_US
dc.typeArticleen_US

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